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JLGSTEPA arrives with his new song “Cerveza” Ft Reventando Cráneos

Emmanuel Vallejo Torres, better known in the artistic world as JLGSTEPA, consolidates his musical career with the release of Cerveza, a Tropical Mix collaboration with Rompiendo Cráneos. The track, a version of Rap to Tropical, is a modern tune that has become an anthem for young people.

planned. It arose from a party and the site decided to record the enjoyment of the theme among friends. A very fresh proposal that invites fans to enjoy the song in their own events.

JLGSTEPA Emmanuel Vallejo Torres since 2019 has been promoting his career as a singer on music platforms independently, however, after the pandemic and the growth of the music movement, he is determined to leave his name high.

Currently, he is preparing collaborations with emerging artists such as Panthor Pa, Iann Mik, Velez, YoSoyRod and Reventando Cráneos.

Musical Influence

Emmanuel Vallejo Torres, JLGSTEPA, was born in Tepatitlán, Jalisco, Mexico; and although he moved to Houston, Texas as a child, his biggest influence is regional Mexican music. He was introduced to this music by his father Claudio Vallejo, who is a renowned composer and poet. The recognition his father gained by composing for artists such as Jenny Rivera, Pedro Rivera, and Lupillo Rivera was the impetus he needed to break into the medium.

Currently, JLGSTEPA not only sings his own music, but also collaborates and participates in events representing artists under his own record label in the United States, where he has his permanent residence. To learn more about his work on a personal and label level follow him on his Instagram as @JLGSTEPA.


Biography JLGSTEPA

JLGSTEPA Emmanuel Vallejo Torres is a young Mexican American born in Tepatitlán, Jalisco, Mexico in September 1989. In 2001 he moved to Houston with his family looking for a better future and that is when he began to know the musical influence that led him to start composing his own songs and songs for other artists.

At the age of 16 he became independent, finished high school and began to work independently. Along with his musical career, he invests in real estate and cryptocurrencies.


His musical career formally begins in 2019 independently, not only singing and composing, but representing artists with his record label both in Mexico and the United States.

His musical influence comes from his childhood, driven by his father Claudio Vallejo, who is a recognized composer, singer and poet of regional Mexican music in Tepatitlán.

The song Cerveza in collaboration with the rap group Reventando Cabezas reached 10,000 views in one week on the YouTube platform. He also has other collaborations with emerging artists such as Panthor Pa, Iann Mik, Velez and YoSoyRod.


In the last five years, Emmanuel Vallejo Torres has ventured into the real estate investment market and cryptocurrencies.

En los últimos cinco años, Emmanuel Vallejo Torres ha incursionado en el mercado de inversiones de bienes raíces y De Criptomonedas.


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Five of Sony’s ‘Spider-Man’ movies are coming to Disney+

Disney+ has announced that six Spider-Man films and the 2018 film “Venom” will be launching on the streaming service in the United States. Tobey Maguire’s trilogy of “Spider-Man,” “Spider-Man 2” and “Spider-Man 3” and Andrew Garfield’s “The Amazing Spider-Man” will arrive on the platform tomorrow, while Tom Holland’s “Spider-Man: Homecoming” and Tom Hardy’s “Venom” will arrive on May 12.

The launches will be a welcome addition to the platform for Marvel fans, especially since the vast majority of Marvel movies are already on the streaming service.

It’s worth noting that the list is missing a few Spider-Man movies, as “The Amazing Spider-Man 2,” “Spider-Man: Far From Home” and “Spider-Man: No Way Home” aren’t included. These films will likely hit the streaming service sometime in the future, considering that Disney+ said in a press release that additional titles from Sony Pictures’ film and television library are expected to premiere on the platform later this year.

Today’s news isn’t surprising, given that Sony and Disney announced a deal back in 2021 to bring Spider-Man and other films to Disney+.


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Teen goes from high school football standout to wanted fugitive for liquor store murder

The Palm Beach Sheriff’s Office announced on Tuesday that a former Palm Beach Central High School football standout is now a 19-year-old wanted fugitive.

Detectives accused Brandon Mackenzie Frazier of fatally shooting a man at about 6:40 p.m., on March 21, at 777 Liquors, at 3613 S. Military Trail, in the Lake Worth Corridor area.

Frazier doesn’t have a criminal record. Palm Beach County court records show deputies arrested him late last June, but prosecutors later decided to drop the case.

Deputies reported finding the victim dead inside the 777 Liquors store. And about three weeks after the shooting, a judge issued a warrant for Frazier’s arrest on charges of first-degree murder with a firearm and shooting within an occupied dwelling.

Frazier, who is over 6 feet tall, played football as both a cornerback and free safety in high school, according to his Hudl profile. When he was a junior, New Era Prep reported he was the “No. 5 bubble player in Palm Beach County,” which meant he was “on the cusp of having a true breakout moment at some point.”

Frazier’s tweets from 2019 to 2021 show him working hard on the football field, wearing his 22 Broncos shirt, getting invitations to football camps, and visiting the University of Miami. The teen was in Palm Beach Central’s class of 2021.

Nearly two years after he left the school, Palm Beach Sheriff’s Office deputies distributed a flyer with his picture offering a $3,000 reward for information leading to his arrest for the murder.


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Dafoe’s ‘Inside’ asks how art helps us escape isolation

LOS ANGELES – Willem Dafoe has said that, for him, the process of making a movie always eclipses the finished product.

But after more than 130 film credits, the 67-year-old actor has finally found a project whose final form is on par with the experience of creating it.

“When I watch this movie, I say, ‘Okay, I feel like I’m there again,’” he said. “Although there’s lots of stuff that we had invented that gets cut out, it feels like the making of it.”

That assertion is impressive, given how much “Inside,” Vasilis Katsoupis’ fiction directorial debut, asked of its lead and virtually only actor.

“It really required a lot of different states and different approaches, I would say. But it was great fun,” Dafoe recalled.

Set entirely inside a single apartment and with no foils for Dafoe’s character to rely on, “Inside” is completely dependent on his performance, which is so compelling you forget he is the only person on screen for the better part of 100 minutes.

It follows an art thief named Nemo (Dafoe) who gets trapped inside a collector’s apartment during a botched heist. Nemo is pushed to his limits, braving extreme temperatures, flooding and limited access to food and water, all within the confines of a luxury Manhattan apartment.

Despite the physical and psychological toll that Nemo suffers throughout the film, Dafoe said he was able to distance himself from his character’s tribulations.

“You’re going to some maybe dramatic places or some difficult places, but you’re also enjoying the interplay with the other people,” he said. “You’ve got the camera, you’ve got the film language behind you, so you’re playing with these things.”

More than just a psychological thriller, “Inside” considers the ways in which art rescues humans in modern society from an isolated existence — a way out from being trapped inside of ourselves. Through his meditations on William Blake’s “The Marriage of Heaven and Hell,” Nemo discerns that liberation can only be attained through creation.

For Dafoe, the philosophical exploration of the human relationship to art was not as apparent in the script, but “really came out in the doing of it,” the actor recalled, reflecting on the ways he found beauty in making art pieces for the film.

“That was so enjoyable. You lose yourself in those things. You don’t necessarily know what they’re for, but they feel so useful and so healthy and so necessary,” he said.

“There are certain things that are purely physical, and you don’t always get to do these scenes with no dialogue,” he said. “Meditative sections that you’re really by yourself and there’s nothing to accomplish.”

And while the specifics of the plot of “Inside,” which wrapped filming in June 2021, may not ostensibly feel universal, almost everyone on this side of the coronavirus pandemic will relate to the film’s scant human interactions, vague conception of time and claustrophobic cinematography.

“Inside” hits theaters March 17.

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